French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.  Related Paintings of Georges Seurat :. | Model | Houses at Le Raincy | Les Poseuses | Bathers at Asnieres | The Harbour at Honfleur |
Related Artists:
Jacopo Di Cione
Italian Byzantine Style Painter, ca.1330-1398
Nicolas-rene jollain
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Multscher, Hans
German Northern Renaissance Sculptor, ca.1400-1467 German sculptor. Multscher mentions his birthplace on the inscribed band, originally a predella, of the Karg altarpiece in Ulm Cathedral (1433) and on two wings of the so-called 'Wurzach Altar' (1437) at Reichenhofen in the Allgeu. The town archives of Leutkirch, written between 1405 and 1437, record that Multscher belonged to the 'Freien Leute auf Leutkircher Heide', a commune of free peasants who had been able to preserve their independence because they were the direct descendants of Kenigsfreie, who had always been free. Under a charter of Emperor Ludwig in 1337